A good two-disc set is always a special treat… Consider a new DVD release of a feature film, especially one loaded with extras and behind-the-scenes features… Whether it’s commentary from the director or writer, offering you some insight to the big “why” questions, or a peek at the cast, it’s just cool to be a part of the action. Prior to DVD’s (and their subsequent “special features” menus and full discs), seeking out those behind-the-scenes features required a little more effort. There were magazines, certainly, and the occasional “featurette” on TV, but in the earliest days, looking into the meat and potatoes required some serious digging, if not inside connections. It was much the same for custom cars and hot rods in the early days. Before there was Powerblock TV and Overhaulin’, getting that in-progress glimpse of a build was a rarity, and required a trek to a local shop, or that rare tech article.
Enter two gentlemen who had a profound impact on their respective industries, as well as on me: Forrest J Ackerman and George Barris. These guys virtually refined the whole concept, and in a number of ways invented it for their particular places in the cosmos. Buckle your belts ‘cuz we’re going to mix and mash two seemingly different things once again, and hopefully leave you with some fresh insight… and don’t worry, this one will be quick and painless!
About the time that George Barris was born (in the mid-1920’s), Forrest J Ackerman was reading his first sci-fi tale in a copy of Amazing Stories. While Forry’s interests were writing fiction and celebrating the genre and its writers, George and his bother Sam were customizing cars. Forrest was hanging with friends the likes of Ray Bradbury and Henry Kuttner, starting magazines like Futuria Fantasia (which would be a killer name for a bubble-top custom, mind you), The Barris boys were learning tricks of the trade from masters like Dick Bertolucci, and bolting together a slick ‘36 Ford which was used as a calling card, attracting paying customers. Keeping with our “parallels” theme, at around this same time, George founded a car club named “Kustoms Car Club”, reportedly the first use of “kustoms” with that “K”… Meanwhile, Forry and his friend Myrtle R. Douglas attended the first-ever World Science Fiction Convention, dressed in space suits, setting off a chain-reaction of future comic and Trek convention costumed attendees. Trendsetters indeed! Add to the parallel that all three were in Los Angeles in these times, and, well, it just couldn’t be any cooler had it been written that way. (oddly enough, Sam Barris and Forry Ackerman were both enlisted in WWII… coincidence?)

Throughout the ‘40’s and into the ‘50’s, Barris continued building custom cars, and making a huge name in the industry, guiding it, in fact. It was during these years that George saw the potential in magazines, and was instrumental in documenting literally thousands of cars, and in the process virtually invented the modern “tech article”. His photo essays in the popular car magazines of the time chronicled trends and techniques for customizers living outside of the California hotbed of activity, and offered that all-important “behind-the-scenes” insight, probably providing countless would-be customizers with some inspiration. Barris is often credited with inspiring many modern day customizers to practice their craft, and his efforts with his unique brand of Public Relations certainly has been a driving force behind the continuation of this industry into the twenty-first century. Consider just how many articles he had published showing metal shaping tips, or paint how-to’s… Then, take a gander at his articles, and compare the layout to today’s tech pages. He literally paved the way, adding another dimension to car features, promoting the hobby and inspiring at the same time. Look through some of these old issues, and you’ll be amazed at what faces pop up, and even more so, who was working in who’s shops, or had a hand in some of your favorite cars.

Meanwhile, Ackerman was acting as a literary agent, representing hundreds of writers, and serving as “agent of record” for many more, ensuring that their work would be published in numerous anthologies, preserving the science fiction genre’s past in not only written form, but providing an entirely new facet for the then-growing motion picture industry. Consider that his magazine Famous Monsters of Filmland exposed many aspiring special effects artists and film makers alike to those “behind-the-scenes” looks, and the parallels just grow stronger. It was these close looks at the men behind the special effects techniques that inspired such talents as Tim Burton, John Landis and Rick Baker, as well as countless other amateur home directors. Forrest truly created an industry that continues strong today, not only from the standpoint of the behind-the-scenes documentary, but for collectors of film memorabilia. He was also one of those rare “hands-on”, approachable figures, leading tours of the “Ackermansion”, his personal home and museum, packed to the rafters with his collection of movie props and memorabilia. He understood the value of preservation, historical record and collecting those odd bits and pieces to maintain some reference point when future generations might want to look back (much as we at Motorburg are striving to do today!). Ackerman had a keen insight and understanding of the magic behind the movies, and always managed to share just enough to get someone interested and thinking about it a whole new way… which, when you stop to think about it, is a common trait in these heroes of ours who forge a new path: They “get” it, and they SHARE it! When you manage to combine enthusiasm with knowledge and a great work ethic, you tend to become a part of the very thing you enjoy, and Forry is surely one of those important cogs in an absolutely huge machine.
In this same way, George is a common figure at car shows and events, as well as still working from his shop. It’s this accessibility that makes it all even more fun; having that opportunity to mix and mingle with the folks who not only “were THERE”, but helped to preserve our hobbies for future generations. While we unfortunately lost Forrest J Ackerman in 2008, the next time you load that movie into your DVD player and pop open the “Special Features” menu, give a quick “thanks” to the ultimate fanboy, and feel free to share your knowledge of where it all began. And while you’re at it, why not give a tip of the hat to George next time you’re browsing those back issues at the swap meet. Chances are, many of the photos in that issue are courtesy of the “King of the Kustomizers”.
Salsa… and whipped cream?!
I like looking at things from a decidedly different angle, and am often inspired to seek out the inspiration behind a trend, or a particular style… I’m a fan of mixing and matching themes, styles, whatever…and an even bigger fan of just having fun with whatever I’m doing, and often seek out things that reflect this attitude. Whether in friends, books, movies, or music. Occasionally, this leads me to seek out stuff that’s a bit off the beaten path. Such was the case here in the studio once again.
(Yeah, it’s gonna be another musical jaunt… and it’ll all wrap up nicely, as usual, with cars. Stay with me, I think you’ll dig this little side trip.)
Anyway, I got to thinking, of all things, about Herb Alpert (not Marv Albert. That’d be weird.), and gave a listen to “Whipped Cream and Other Delights”… A far cry from what I was listening to a week ago, to say the least…. and by far much stranger cover art (if not quite risque’, considering its 1965 release date):

Granted, this album was released before my time (granted, there may be another me in some other dimension, hanging out in a lounge giving this a listen back in an alternate ‘65…), but man… how cool were these cats? If you’re not familiar with the Tijuana Brass, here’s a quick history lesson:
Herb Alpert was a trumpet player who developed a unique sound that was a mix of south-of-the-border, mariachi and distinctly lounge-y sounds, probably best described as “Ameriachi” (as I learned from a few sources). If you’re really lost here, think of the theme from the TV show The Dating Game, called “Spanish Flea”, which was a Herb Alpert/Tijuana Brass tune, and you’ll have an idea… or their version of “The Lonely Bull”.
Anyway, the ‘Brass cranked out a few albums in the ‘60’s (even a cool Christmas album! Find a copy, and mambo your way through a Christmas Wonderland…)until Alpert called it quits, and took his (and business partner Jerry Moss’) record label A&M, and signed some heavy talent, releasing a few albums of his own along the way (out-selling Michael Jackson in the late-‘70’s! Says a lot for that era, I guess), before selling the company to PolyGram in the late 1980’s.
So what’s this got to do with cars? Think traditional lowriders. Bellflower custom style(named after the city in LA county where the look spawned). A mix of the lowrider and custom car, and you’ll see where I’m headed.
Consider Watson’s Caddy:

It is the embodiment of the Bellflower look… the low stance, simple (if often ANY) body mod’s, the bold, yet somehow understated paint technique (much like his T-Bird that came before), and those killer pipes. The East LA style, mixing elements from two cultures (like the Tijuana Brass did!), and coming out the other end with a clean, cool style. It’s all about class, luxury, and style. Just like a lowrider, but with custom roots.
Lowriders embodied Mexican tradition. Crusing in a decked-out ride to impress the ladies, and show off your skills was more than just about the cars. Cruising may be traced back to the “paseo”, where singles would walk around in the central plaza of the village, basically checking one another out. The idea here was to impress. Put these kids in cars, and it sure looks a lot like cruising… Which brings us forward a few years to the end of the second world war. Hot rodding was booming as young men returned from military service, eager to make creative use of their new mechanical skills. On the other end of the spectrum, the Mexican immigrants were making their cars look luxurious. It was style over speed… lowered stance, different hubcaps, an accessories like spotlights, skirts, pipes… many items shared in traditional customizing.
Fast-forward a few more years, and combine this look with the growing custom scene, and well, you got some clean, mild cars that made the most of the new styling coming from the factory… Apply it to a luxury car, and you’re well on your way to a crossover look beyond compare. Imagine in late 1957 (coincidentally, the same year Bellflower was incorporated as a city), a young Larry Watson crusing into the Clock Drive-In in his panel-painted T-Bird…
I have a soft spot for this look… A couple years back, I sketched up a modern take on the look, combining it with the pro-touring look — note pinstripe whitewalls on a 5-spoke as a nod to the classsic “Supremes and pinners” look (OK, and a mild chop, extended quarters, relocated and shortened trim…):
The idea behind the Bellflower look is clean lines, cool, vibrant and rich colors mixed with just enough chrome to keep your eyes happy…Make use of some ‘flake or pearl, some striping… In other words, think mild custom, but dressed a notch higher. It’s a fun style, to be sure, much like Herb’s band of session musicians belting out “Ameriachi” cover versions. Take one thing, and spice it up with another influence, and man, you can’t help but feel the vibe, and nod your head approvingly as you smile.
And that’s how my mind works: From whipped cream to salsa, stopping in between for some quick history, and leaving you to consider mixing up some styles on your project…
A look back at street machine history… footage of the Pro Street Parade, 1991 Street Machine Nationals East!